Tuesday, August 31, 2010

(Insert Disenfranchised Minority here) Best Friend

I've been trying to get a grip on this trope for a while. Most of my WIPs do not have the semi-required gay or black best friend and I feel like I am shirking some societal responsibility. I can't do a legit MC from either perspective because honestly, I'm not that good. I'm not saying it can't be done, just that it takes a better writer. I'm whitebread through and through. I still like Third Eye Blind. There is no hope for me.

Still, I do have friends who are not white. Or straight. I like them. I respect them. So why don't these folks pop up in my MSs?

I had an epiphany yesterday. I saw an article on the internet about the "Black Best Friend." She is everywhere and always portrayed favorably. Her qualifications are: sassy, grounded, cooler than her white Main Character counterpart. She offers the words of wisdom that Ms. Whitey must embrace to achieve her goal of career and relationship fulfillment. The Gay Best Friend does the same thing but with more swishing and better fashion advise. Occasionally the best friend is Latina, but she is interchangeable with Black Best Friend. Earth Mother hip types who enjoy the spiritual gift of perceptive insight into humanity.

I think it's degrading. It is a shortcut purely for the development of the white character. The reader/audience knows that our hero is a good, non-prejudiced person because of the props in place, in this case a minority best friend. It's also code for the writers/producers to pat themselves on the back and say to the world: "I'm not a racist homophobe! I like you people!" I haven't thrown any of my real life non-white/alternative buddies into stories because I do not want to reduce them to props.

Now that I've put my finger on the source of my reticence, I feel better able to tackle it. For a while I thought I just disliked the cliche of it all but I have other cliches that crop up here and there, so that really wasn't it. When I look around at my own circle of friends I notice two things: each one is an individual, not a representative of a group. And I have more than one friend whose first language is not English, who not too long ago would have been denied membership to the Country Club based on race or religion, or whose marriage is not legally recognized by my state.

The trick to populating fiction with characters instead of cardboard cutouts of acceptable minority roles is to make the MC's circle of friends match reality. If her best friend is black it seems unlikely that this person would be her only black friend. People don't take applications for friends, assigning one slot to each minority and filling the rest of the positions with faces that look just like theirs. Ensemble casts in books and movies do. There is a reason they call it the "token" whatever friend.

Why can't our forward-thinking, enlightened MCs have a more checkered clique of homeys? In reality, people tend to be either very segregated or very desegregated. It's either all white folks at your dinner party or about half of them aren't. I'd like to see this revolutionary concept incorporated more widely. Maybe even an MC who is the token straight, white kid surrounded by "other" people good enough to overlook it and judge the individual by her merit. That I could pull off...I've been that guy. I'm bored and annoyed with the MC who is a kind enough person to look past differences and have A friend from another background. It's just a reinvention of the benevolent white protector who always gets to be the hero.

Friday, July 9, 2010

Auld Lang Sign


Jason Evans' Clarity of Night contest is now ON! The first five entries are up. The contest has gotten so big that this time around his scoring system for the Forties Club is being applied to the posts. The best possible score is 45 and entries that score 40 or higher get posted. You have all week to enter if you like. 250 words or less, inspired by the photo ""Uncovered." This summer's theme is in honor of The Tavernier Stones by Stephen Parrish- great read if you've not already gotten your hands on it.
Sadly, this seems to be the first time I've not made the Forties Club but I'm posting my entry here:
Auld Lang Sign

"Tell her I love her, Frank. Happy New Year."

John studied his dead wife's brother. Thirteen years since they lost her. Twelve since John married Susan, hoping to give two little girls a stand-in for their mother. Six since Susan sealed his fate with another daughter.

John turned from the casket to see Susan tap her watch. He shuffled to the second pew, the nearly family section.

"We need to get going. The party starts in two hours and I've got to make the cheese tray."
Susan slithered out of the pew before John could sit. She slowed her exodus only to eye the tired satin and greenery on the sanctuary door. It wilted like last night’s cocktail dress on a hungover celebrant.

“When I came along we had Christmas down by New Year’s Eve.”

Like most of her commentary, it required no response from John.

***

John surveyed the hall closet.

“Why do you keep all those coats? You only ever wear the one.”

Any space that was his pissed her off. John retaliated with an ancient coat from the back. He jammed fists into pockets while Susan stalked down the hall.

Frayed card stock nestled against his hand.

12/31/73, Louisville to Boston. The boarding pass he unearthed was from his real wife’s first cancer surgery.

John marveled at the faded treasure her hands once held, turning it over. Quenching sweet pain bloomed fresh at the sight of her loopy handwriting on the back.

It said, “I love you, too.”

Thursday, June 24, 2010

Upon Why You Should Have Beta Readers Who Are Not Writers

Full disclosure: I am not published. I have worked in publishing, but on the textbook end and in sales. The closest I came to any sort of editing was working with acquisitions. So, I don't really know any secret insider information.

But I have a theory about beta readers.

Should your betas be writers? Uh, yeah. Writers are more plugged in to trends in the industry, what's getting picked up right now and what's getting passed over. They are more likely than your sister's best friend from college to catch hackneyed phrases, mistakes, repeats in your MS, etc. They also have an ability to zero in on what isn't working and why.

But in all the time we spend learning about what agents and editors are looking for we get caught up in minutae. We put so much blood, sweat, and tears into trying not to be just another vampire book or cozy mystery or whatever that it screams at us when we see it in an MS. Basically, we fall into the trap of writing for agents.

It makes sense, since most of us won't get published until after we cross that first hurdle. But agents are not your actual market. People who will buy your book for any other reason than they know you, like you, or feel sorry for you want to read a good story. If you are a genre writer, you'd best know what expectations those people have. Odds are good that they do not look for massive doses of originality. Sci Fi readers who like space stories want some cool gadgets. Romance readers want an HEA. (Heck, some of them want as many HEAs set in nineteenth century France as they can get their hands on.) YA readers want to know who to cheer for. Mystery readers want to know who pulled the trigger.

So your authorial beta readers, who are looking for fresh, cool ideas and solid writing, sometimes pay more attention to those things than the story. They get so turned off by something that seems like a cliche that it might kill the whole MS for them. Readers, plain old garden variety, don't care so much. Otherwise, how do you explain John Grisham?

If all your writer friends think you are amazing but nobody normal gets carried away with your MS, then you have an elite but unprofitable target market. Get a couple of people who don't know anything about anything to read your MS and tell you if they like it or hate it. You might have to fish for info, ask specific questions about things you aren't sure work, but their opinion should count because at the end of the day, those are the people who will pay real money for your book.

My personal theory is start with a couple of non-writers you trust to be honest. If they like the story, get some writer betas to help you sand down the rough edges and make it pretty. Then run it by another non-writer (or even one who's already seen it) and see how it plays. That way, you get input on craft and the impact of the story.

Saturday, June 19, 2010

In Which the Importance of Gal's Father is Explored

A grown woman finds herself in the surprising position of being the mother of two young children. By its very nature this circumstance provides explosive episodes of self-realization, sometimes multiples in one day.

The youngest, not yet three, yells at the top of her lungs: "Don't talk to me like that!"

Huh. Little whippersnapper's pretty sassy. And with a strong sense of what's acceptable. Perhaps misplaced, given her tender years and status on the totem pole, but hey, it's nice to note the healthy expectations of how she should be spoken to.

And thus, the self-realization takes on its inevitable layers and the thickness of generations.

How do my kids know how they should be spoken to? Treated? Regarded? How do I know how to teach them?

I remember.

I remember learning to put a worm on a hook and being told, gently, that yes, my father feels a little sorry for the worm, too. But worms don't have the same kind of nervous system we do and while the worm surely isn't happy about his/her predicament, it isn't the same as what I might feel under the circumstances. I was tender-hearted, not a fishing failure.

I remember being taught chess and nascent algebra during the summer break after third grade. In the middle of the night. It was a magical moment where all the world hid in sleep but us, just me and my dad. I was important.

I remember being told after my one and only straight A report card fell to all A's and one B that it isn't really the best thing in the world to be a bookworm. That was second grade and my B was in handwriting. It was the first time I heard the expression "bookworm" and my dad had to explain it to me. Unlike a classic bookworm, I was well-rounded.

I remember doing jigsaw puzzles and playing games of Old Maid around the game table. I was fun to spend time with.

I remember a counselor during a trying period in my college years observing that the reason I had not dated much in high school was that my father had set the standard very, very high. I was shocked. I didn't enjoy a robust dating life in high school, but until that moment I hadn't given much thought to how many boys I turned down or discouraged. Even in that insecure time I was not willing to settle. I wasn't a dateless wonder, I was discriminating.

I struggle with the standard. I've done things in my life I didn't think I could do because I didn't want to not meet the measure of the man that raised me. I was glad I did them. I've things yet to do, some that seem near impossible, but I remember the confidence of the man I think the most of and it becomes sacrilegious not to try. I think of his older children, not blessed with the same mother as I, so damaged and still shaped by the standard. They know the benchmark and rebel because they haven't met it, whatever it is.

If I had to define the mysterious standard, this would be my best effort:

Professional: Whatever you choose to do, be good at it. Use your intellect. If you are a server, shoot for head waiter. If you work in Corporate America, shoot for the highest position that will make you happy. If that is CEO, you can be that. If you don't want to engage in office politics and general B.S., dominate the division where you enjoy working. But paramount is that your professional success should not be dishonorable or predatory. It should be a manifestation of your God given ability and hard work.

Personal: Don't let people take advantage of you. Expect what you deserve. If you don't get what you deserve, cut bait- whether it's business or personal or a blend of the two. Be compassionate. You will know other people who do not have the resources you do. When you find them, help them in a way that protects their dignity.

Family: The greatest charge you are given as a human is responsibility to your family. Honor it. The faith you give to your family honors the people who raised you and teaches the children you are raising.

As fathers go, one could do worse than a father who teaches these things. But one could not do much better.

Happy Father's Day, Dad.

Thursday, June 17, 2010

People Who Are NOT Cool

I love blogworld. I've met some of the most fascinating people and been privileged with exposure to much better writers. But there are always those people. The ones who point out your typos in the comment thread. COME ON. That is so...so...seventh grade. It reeks of "I'm smarter than you are and I just wanted to make sure everybody knows it." It's like online heckling.

Unsolicited critique in a public forum is even worse. Somebody posts a poem or flash fiction and does not finish with a request for your thoughts? Don't put your negative thoughts in the comment thread. If they want a beta reader they will let you know. A contest setting or a submission for critique is totally different. Then you can let it rip.

Every blog I follow has an email address linked to it. Use it. Most people are open to improvement and appreciate a chance to fix a mistake they didn't catch but it's nice to have a chance to do it on the down low.

This situation came up on a friend's blog last week. It was low profile, everyone was cool about it, but I felt my latent defensive streak flex. If I knew where to find the commenter, I'd fill her Splenda packets with salt.

Anyway, in a private conversation with the lucky person who gracefully accepted the public illumination of each possible flaw in her research I came up with the following:

I wouldn't use a microphone to tell you that there is toilet paper on your shoe.

Tuesday, June 15, 2010

People Who Are Cool

Elton John played Rush Limbaugh's wedding.

He was totally cool about it, too. I love this attitude from him. While Mr. Limbaugh has never come out anti-gay, as in gay people should not exist or be free to be gay, he is anti-gay marriage. Elton John is most definitely pro gay marriage and for obvious reasons affected by the issue.

I know he got paid to perform but he could have booked another gig.

To play music at someone's wedding when that someone doesn't think you have the right to a legal marriage is extremely generous.


*I got to stand next to Elton John at the bar of a restaurant in Atlanta once. I was too chicken to say anything so I just pretended I didn't notice him. Standing one foot away. I'm such a dork.

** This post is an observation on one person's character, not a launchpad for political discussion on this issue. Whatever you think, half the country is firmly in the trenches with you. Half the country is adamantly opposed to you. Nobody's making a move to change anyone else's mind. Except maybe Sir Elton and he did it with a soft blow. SOOOoooo, if this triggers a need for venting personal feelings of the "gay marriage attacks the institution of marriage" variety send me an email personally or find a politics blog to yell on. If you post it here, I'll delete it in the interest of keeping things relatively warm and fuzzy. Same applies if you want to bash on Mr. Limbaugh.

Saturday, May 29, 2010

Speed

The pirate is a problem child. Ask anyone. Ask his teacher, ask his parents, ask the kids in his class.

Just don't ask the pirate. He'll tell you he's smart, he likes art, and his mom is really proud of him. He doesn't see himself as a problem child.

The way I see it, I need to keep his self-image where it is and get the rest of him to match it. Progress to this end is notable.

He's learned through a combination of conditioning and experience that he gets away with more when he smiles and regularly employs phrases like "please, thank you, and ma'am." Manipulative, but hey, it works.

As far as his "problem" goes, let me describe:

My five year old boy can't sit still.
He likes to wiggle.
Sometimes he talks without permission.
He doesn't always wait for the teacher to call on him before he blurts out an answer.
If he's bored, he's inclined to play cave by crawling under the table at school.
He's impulsive and acts without thinking.
In art, he likes to paint on things besides the paper.

Clearly, he needs medication. Again, ask anyone. Ask his teachers. Ask his classmates. Ask the school administrator. They told him so. (Well, some of the kids did. The administator asked him if he was taking his medicine. The teacher considered meeting with a social worker on his behalf. The pre-K 4 teacher wanted him tested for every acronym she could think of.)

On the behavioral bell curve, there is no doubt he is not on the bell. I know this. He's further from the bell than he would have been twenty-five years ago because all the kids like him are on meds. Except the ones with parents like his. Two parent households, higher education, enough income that one parent can devote a lot of time to handling problems. Parents with the education and confidence to tell a school system and a pediatrician, "We appreciate your involvement and support. We're not going to go that route. Let us know in what other ways we can help you get him to where he needs to be."

I go to the school on a regular basis so the teacher doesn't have to spend all her time on my child. Because I can. I don't have a 9-5 job that I will lose over this. I'm not backed into a corner or in a position to be intimidated.

Twenty years ago, rich kids were on medication. Ten years ago, all of them were. Must have been a golden age for early education. Now, poor kids are way more likely to be on medication than their luckier counterparts. This is crap.

We are about to see a generation come along where creativity and independence are fostered in the privileged and medicated out of the kids who have no advocate. Their mothers love them just as much but they are more easily influenced by an M.D. and a Masters in Education. Those people most know what's good for our kids, right?

Juvenile brains are developing. Learning pathways are being established at a phenomenal rate. Those pathways laid down under the influence of a scheduled, mind-altering drug are permanently designed to require that drug to function at optimal levels. I'm not raising my kid on speed. (Yes, it's speed. Adderall's primary active ingredient is amphetamine.) Not only am I worried about his brain but his physiology. I can't imagine a growing body subjected to a 60 year old diet pill for ten years is not going to be at risk for obesity and type 2 diabetes as an adult.

But what about other people's kids? It's gotten to the point that they damn near need a semester of pharmacology as a requirement for an education degree. I don't propose that there is NEVER a reason to use medication and I'm certainly not okay with telling parents they shouldn't any more than I'm okay with people telling me I should. But there is gross abuse here and as always seems to be the case, the people least able to fight back are the most likely to be victims.

The only thing I can do is be vocal. I explain our decision to the pirate's teacher. I provide documentation. I let her know that I appreciate how much easier he would be on a prescription but the long term risk is too great. And I pray that the love of children that led her to be an educator in the first place will give her the patience to deal with kids like mine and advise another mother, a single mom who's struggling, that medication is faster and easier but not necessarily better.

The guy in this video makes my point better than I can. It's about twenty minutes, but if you're pressed for time start it at 15:41. Watch the whole thing when you have time. He's very funny and really makes you think.